Originally Posted by
Eric
So how much of that is due to the chords and how much is due to your solo/lead note selection?
This might be the key issue for me: I feel like it's always on the guitar player to keep that tonal center, but that's dictated more by the chords over which you're playing than note selection, which is more a product of songwriting than anything else. Is that an accurate statement?
Well, kinda. "Keys" are made up of chords, with each chord in the key built from its corresponding major scale. So, in the key of C major, you have the following chords:
Cmaj, Dmin, Emin, Fmaj, Gmaj, Amin, Bmin7b5, then back to Cmaj.
Jazz guys have all kinds of fun "substituting" chords in different keys, and creating tension and different harmonies by going "outside" the scale, or by playing the corresponding mode to each chord change in the progression. They also have fun using arpeggios as well.
Look here for more information regarding scales : http://jguitar.com/
P.S. Geez, this is reaching waaaaaaaay back for the theory stuff. If I got anything wrong, someone correct me!
EDIT: JGuitar also has a listing of chords that sound good with each scale! For example, choose Root: C, Scale: Ionian (Major) and click "Go". Underneath the scale diagram is a link that says "Show me chords that sound good with this scale." Clicky!
Guitars:
Fender 2006 MIM Fender Stratocaster HSS in 3TS
Ibanez RG 570 with a bridge Invader
ESP M II Deluxe with a Tune-o-Matic bridge
Eleanor, the magical, mystical Road Worn wonder Tele
Blackstar HT Club 40