• You're one step from joining Guitar Discussion Forum - The Fret.
    Create a free account to post, follow threads, and never miss an update.  Sign up free →

A personal view on Joe Bonamassa

Guitar Discussion Forum - The Fret

Help Support TheFret.net:

I agree, I agree. My feelings are somewhat irrational, but I'm trying to follow Jimi75's example and be honest and stimulate discussion.
That's fair, and I get your point. In my mind, I think stories his are really kind of inspiring: when someone is good and does get the opportunities and support and puts it to good use. There are enough Todd Marinovich stories out there that I enjoy it when someone's path winds up how it should, for lack of a better word.

Still, I think I understand what you're saying. It could be that the pressure of being set up for greatness weighs on him, to the point where he thinks he needs to be perfect, all while trying to make the most of his 15 minutes while it's here. That's a lot of pressure on someone, and probably not when they're going to do their best work. Honestly, I think a bunch of people probably do expect perfection from him.

I'm not sure why I'm even posting in here. I don't listen to JB's stuff very much, and I know relatively little about him. I just like examinations of people and motivations/expectations.
 
I may be misinformed. But after watching the Royal Albert Hall video and watching some Youtube clips, it seems like JB was bred for playing music. Like he grew up with a silver spoon of music in his mouth, was encouraged and supported every step of the way. This really shouldn't matter because the guy has talent. But when I hear "prodigy". I think of someone who has an amazing affinity for something. JB seems like his virtuosity was manufactured. As such his playing seems a little too contrived. It feels cheaper in some way. And it probably shouldn't.
While he had the advantage of being in a family with strong musical influences, I don't think it's accurate to say he "grew up with a silver spoon of music in his mouth". His father was a local musician who ran a music store and Joe got his first guitar when he was 4 years old. But the "prodigy" talent was there and it was apparently his own love of playing that drove him, not the parental influence. He's often commented that, when other kids were playing sports or hanging out at the mall, all he wanted to do was practice on his guitar. By the time he was 7, he was playing SRV solos note-for-note, and he had his first professional gig at the age of 11 or so, as I recall. It is true that he attracted the attention--and tutelage--of Danny Gatton around that time, but this was based upon his talent and potential, not through any special connections or family influence. His biggest musical influences (other than Gatton, of course) were the great British blues/rock guitarists of the late '60's and early '70's, notably Clapton, Page, Beck, and Paul Kossoff (Free).

It's interesting that, in his mid-teens, Joe played in a band called "Bloodline" with a bunch of young guys who did have the benefit of a silver musical spoon--Berry Oakley Jr. (the deceased ABB bassist's son), Waylon Krieger (Robby's son) and Erin Davis (Miles' son). Of the four, AFAIK Joe is the only one to make a real dent in the music biz as a performer. That despite being the only one without a famous musician father.

After considering throwing in the towel on pursuing a musical career in his early 20's, Bonamassa decided to stick with it and labored on the blues touring circuit in relative anonymity for many years. Though he caught the attention of the blues crowd in the early 2000's and released a series of albums that were critically well received, it really wasn't until around 2008 or so that he really started getting wider attention. The Royal Albert Hall show was something of a "coming out party" for him. Up to that time, he was more popular in Europe than he was here in his own country.

My point is that, aside from what you may think of his music and guitar stylings, he has gotten to where he is through a combination of talent and MANY years of hard work, period.
 
He was encouraged to do what he loved, same as Eric Johnson, EVH, and a host of others. Without the drive and hard work, he (they) wouldn't have made their mark like they did.
Lots of musicians are told at a critical point in their life that music should come second to a formal education, continuing education including college, and a steady job in the work sector is more important than being a band member. When parents are supportive of their children's dreams of making music for a living, and encourage the child to go for it, I applaud it. I don't consider it a silver spoon, though.
 
When I was a kid, I was fortunate enough to see the greatest living blues musicians in concert and clubs. I was usually the only kid there.

I can't imagine being a 12 year old that was asked by BB King to tour with him! JB had/has so much natural talent and a love of music, he was certainly born to do this. There have been other blues naturals that got an early start, including Derek Trucks, Sean Costello, Jonny Lang, Kenny Wayne Shepherd and Eric Johnson, but JB's talent was recognized and honed even earlier.
 
I watch Directv guitar center sessions last night and it was just after the release of Black Rock.
The interview was pretty straightforward. He actual played a 52 Tele a real 52 Tele that is he said he got it because that is what he learned on and feels like home. Although he did say "I mostly play Gibson guitars". He talked about his song writing style and how raw his home demos are. His playing was fantastic.
 
Direct TV

Was that the same one I saw on DTV on Ch 101 where Kenny Wayne Shepherd and Noah did the duet, both playing K. W. Shepherd signature strats, the one with the cross and Noah on the one with the racing stripes?

I thought that was a very good GC session. "Blue on Black" sounded great.
 
both Joe and Ringo Starr are in my friends on facebook.methinks if anyone had a silver spoon it was Richard Starky who was in the right place at the right time to replace their original drummer. - ah senior moment HA!
 
Sometimes I think that when I listen to music, I am not patient enough to appreciate it for what it is, at least initially. Therefore, I am more often attracted by quirky hooks, punky lines, etc., and have a harder time with stuff like traditional blues sounds, or some of the well crafted prog Spud has turned me on to. I just don't always have enough time to really listen and get into it.

Thus, after following this thread, I think I am done thinking Joe should sound like this or that, or should have done this or that, or pursued this or that tone, style, etc. I think I am going to re-visit his work and enjoy it for what he has done, and look forward toward what he may do next. I am sure he has worked for it. If I give it a better listen and am patient, I bet I will hear a lot of stuff I like. It may never become my favorite, but I bet I learn something at least from his playing. I may find that after I scratch the surface deeper, I find something I really like, similar to the classic jazz I have been enjoying many years after it was recorded.
 
sometimes i think that when i listen to music, i am not patient enough to appreciate it for what it is, at least initially. Therefore, i am more often attracted by quirky hooks, punky lines, etc., and have a harder time with stuff like traditional blues sounds, or some of the well crafted prog spud has turned me on to. I just don't always have enough time to really listen and get into it.

Thus, after following this thread, i think i am done thinking joe should sound like this or that, or should have done this or that, or pursued this or that tone, style, etc. I think i am going to re-visit his work and enjoy it for what he has done, and look forward toward what he may do next. I am sure he has worked for it. If i give it a better listen and am patient, i bet i will hear a lot of stuff i like. It may never become my favorite, but i bet i learn something at least from his playing. I may find that after i scratch the surface deeper, i find something i really like, similar to the classic jazz i have been enjoying many years after it was recorded.

great post!!!!
 
To be fair I was critical of the 'recent' Bonamassa releases early in this thread but I am diggin the new song Dust Bowl.

 
Back
Top