Some of our forum's recent postings re: 80's metal have re-kindled an interest in re-exploring my heavy metal roots. Why that is, I do not know. Maybe it's instinctive - to go back to where we started. Anyways, I spent some time noodling around with all (3) of my amps, and was not quite able to get that "over the top" metal sound I was looking for. Some of the tones in my G2 were close, but maybe more suited to today's newer / alternative metal, and not the "vintage" 80's metal I cut my playing teeth on. The Bad Monkey added some "oomf", but lacked some of the drive & high-end harmonics common to that genre of music.
After a bit of online research and reading a few reviews, I decided on the Digitech Tone Driver - mostly because it had the Ibanez TS-808 and TS-9 distortion models, along with the DOD 250. I had an original lime green TS-9 back in the day, and it really got that metal OD tone. True, I could have purchased either of the Ibanez re-issue pedals - but neither of them would have the cool "morphing" control that the Digitech pedal had. Plus, it was considerably cheaper than the Ibanez RI's - about $50 or so!!
Well, the pedal arrived late last week, and I put it through its paces over the weekend. The Tone Driver stacks up to my original Ibanez pedal quite well, and in many instances, surpasses it as far as tonal versatility is concerned. The controls are similiar to those on most Digitech pedals, and the settings outlined in the manual are pretty accurate as to modeling the (3) different pedals. I played the Tone Driver through my Peavey tube amp, and was able to get some excellent "vintage" 80's metal tones using a number of different guitars. Perhaps the most surprising came using my Les Paul. Using the TS-808 setting, I came up with a very convincing, Marshall-esque tone reminiscent of early, "Slide It In" era Whitesnake. I also was able to coax a raspy, growling Jake E. Lee / Badlands type vibe with the TS-9 setting & my 60's Strat. Single-coil Strats, I found, really warm up to this pedal nicely. In some cases, I found myself doing double takes, as the OD tones were very humbucker-like. Sweet.
Anyways, I had a blast jamming all of my "old standards" over the weekend, and am anxious to warm a few of them up for our upcoming New Year's Eve gathering. More on the Tone Driver later. If you have a chance to play through one of these pedals, definitely check it out.
After a bit of online research and reading a few reviews, I decided on the Digitech Tone Driver - mostly because it had the Ibanez TS-808 and TS-9 distortion models, along with the DOD 250. I had an original lime green TS-9 back in the day, and it really got that metal OD tone. True, I could have purchased either of the Ibanez re-issue pedals - but neither of them would have the cool "morphing" control that the Digitech pedal had. Plus, it was considerably cheaper than the Ibanez RI's - about $50 or so!!
Well, the pedal arrived late last week, and I put it through its paces over the weekend. The Tone Driver stacks up to my original Ibanez pedal quite well, and in many instances, surpasses it as far as tonal versatility is concerned. The controls are similiar to those on most Digitech pedals, and the settings outlined in the manual are pretty accurate as to modeling the (3) different pedals. I played the Tone Driver through my Peavey tube amp, and was able to get some excellent "vintage" 80's metal tones using a number of different guitars. Perhaps the most surprising came using my Les Paul. Using the TS-808 setting, I came up with a very convincing, Marshall-esque tone reminiscent of early, "Slide It In" era Whitesnake. I also was able to coax a raspy, growling Jake E. Lee / Badlands type vibe with the TS-9 setting & my 60's Strat. Single-coil Strats, I found, really warm up to this pedal nicely. In some cases, I found myself doing double takes, as the OD tones were very humbucker-like. Sweet.
Anyways, I had a blast jamming all of my "old standards" over the weekend, and am anxious to warm a few of them up for our upcoming New Year's Eve gathering. More on the Tone Driver later. If you have a chance to play through one of these pedals, definitely check it out.