tot_Ou_tard said:
High output pups are overwound & tend toward a middy tonality.
Usually, yes. The magnet strength also affects output and tone.
tot_Ou_tard said:
Why do players complain about the "output" of lower output pups if they happen to like the tonality.
Can't you either turn up the amp or use an always on clean boost?
Therein lies the issue: "if they like the tonality." Low/vintage output pickups sometimes sound weak and fizzy if you are using a brutal amount of gain on your amp. A clean boost won't help there. A Tube Screamer-type pedal might.
I've gone back and forth on this. The pickup in my Fender is pretty high output for a passive pickup. It was hard to play pristine cleans because the amp would want to overdrive quickly and it would be quite middy. Scooping the mids on the amp just made it sound bleh. Initially I added a coil-cut switch which helped, but then it sounded like an ueber-powerful single coil which really wasn't what I was looking for either.
My Screamin' Demon is a good compromise. It's relatively low output and quite bright, but it has a nice midrange growl. It really won't produce a bone-crushing tone with massive gain without serious amp tweaking and/or a Tube Screamer.
More recently I changed the coil cut on my Fender to a series/parallel switch. I think that's the magic combination. In parallel mode the output is 1/4 of what it is in series. It becomes significantly brighter (or perhaps more accurately, the mids and lows are cut).
With the experimentation I've done, if I were to build another guitar, I'd want to get another HSS. I'd get the Area 61s again in a heartbeat. I'd probably go with something like an SD Distortion/JB/Custom Custom or Dimarzio Super Distortion and have a series/parallel switch in the bridge.
Having said that, I'm pretty happy with what I can get from my Screamin' Demon. It can do the clean surfy thing without getting wussy as you push the gain.