Spudman said:
What? No intonation adjusment?
I'll have to agree with Spud on the wrap-around tailpiece. Sure, its an accurate vintage detail - but for my money, I want to be able to adjust the intonation to my liking. A few months ago, I played a TV Yellow Epi '57 Les Paul Junior re-issue that had the same wrap-around tailpiece. Although the guitar sounded good, I wasn't particulary fond of how it played - it felt a little bit "sloppy" and kept going out of tune (which might also have something to do with the tuners, as well as the strings it was set up with.) Compared to my (2) Epi Les Pauls, it wasn't even close.
The other thing that takes this model a notch dow for me is the "special design" single coil p'up. I don't know what that dude in the video was running that guitar through, but it sounded awfully meaty for a lone single coil. Besides, the dual-HB set-up is the calling card for the tradional Les Paul design, and for me, that's the only thing that's gonna' do it. Except, of course, the dual P-90 set-up that resides in my Epi '56 Goldtop re-issue.
Another plus with the dual HB set-up is the ability to mix / change p'ups w/ aftermarket models. While you might be able to do this with the Melody Maker (i.e swap out single coils), my guess is that it might take some doing to modify it into a dual or even single HB set-up. Another question is whether or not the SC in the bridge is an exclusive Gibson design (i.e. dimensions, mounting, wiring, etc.) If it is, it might be awhile before any of the p'up manufacturers come around with an aftermarket replacement model.
For the same money ($349) you might want to think about one of the Epiphone Studio models - which feature all of the accoutrements of a Gibson Les Paul, or go $50 more, and get yer'self a nice Epi Standard Les Paul with a flame maple top. Might even be a bit cheaper on Ebay.
