OK... I wouldn't imagine myself defending Paul's guitars, but here goes...
When being critical about "guitars without character" we must always ask ourselves what the context is.
For example, a PRS may have little "character" in relation to a... let's say, Fender '51 reissue Tele. But the undeniable truth is that PRS guitars have merits that make them desirable by a large number of pro players. The attention to detail is usually very high, especially the fretwork. Also, for some (not so) peculiar reason, PRS guitars tent to cut through the mix better than guitars "with more character". The same is true for Anderson guitars, for instance. Have you checked the price tag on these?
So, all is sweet when you're noodling away with your cheaper guitar by yourself, but in the context of a band or in recording, PRS is a choice of many pros for the reasons I stated above. And, finally, I don't believe PRS are badly priced in relation to high end Gibsons for instance.
Personally, I only like a few PRS guitars, like the simple PRS CE Mahogany, a workhorse guitar that you could get for about 1500 euros in Europe. Also the Johnny Hiland model and the Swamp Ash are interesting guitars. I've heard good things about the Mira but haven't tested it yet.
It's not just marketing hype and nice looks. And not being totally handmade anymore really means nothing for the final product, except in the way of mojo. If you want a handmade high end guitar, get a Hamer.
