Duff said:
I like that double cut agile LP. I bet one of those would be like the access on an SG to the frets. Plus it looks great. I saw a couple other brands of the same style tonight and played a Schecter one into a Crate VTX65B, nice amp, it sounded great. It was a fancy Schecter double cut LP style, not sure what model it was but fancy binding and beautiful quilted top and nice inlays, gold trim. I have a couple schecters that are both great guitars.
A lot of people don't know about the double cut LPs. I think it is an underexposed guitar. That Schecter really played and felt nice, plus looked super good. About 600.
I agree about doublecut LP's, because of the iconic status of the singlecut design a lof of people don't realize there is such a thing as a DC LP, or if so, they don't consider it a "real" LP somehow. I briefly mentioned the Hamer doublecuts, both USA and import, in my first post on page one.
I have one of the USA Hamers and it's a great guitar. Mine is a Hamer Special, which is basically a P-90 LP Special minus the pickguard found on Gibbies, and with Hamer's 3-pot (vol/vol/master tone) setup rather than Gibby's 4-pot. These flattop Specials are out of production but can still be found on ebay, etc., used. I found mine used but VG+, no case/bag, in a local store for $450 USD about 5 years ago. I'm guessing they run around 6 bills now, depending on condition/case, etc. I added a pickguard to mine for a more trad look:
Of course Hamer still makes maple cap/archtop doublecuts, both USA and import, and both solidbody and semi-hollow. They also have what's basically an LP Junior clone called a Korina Special, USA-only sfaik, but those are particularly pricey compared to their Gibby counterparts (over a grand for a Junior, whereas you can find Gibby Juniors for $600-700). The thing about USA Hamers, though, is that they're basically all Gibson custom shop quality, if not better, as Hamer USA is still a small luthier shop with a little over a dozen artisans making the guitars, unlike the big factory-produced regular-run Gibbies.
Speaking of Gibbies, of course Gibson make doublecuts too, and on the used market these can run a bit less than the singlecut counterparts. The faded P-90 DC's I've seen go used for $450-$600 USD, depending on condition/case. The archtop humbucker versions are more. I found a used Gibby Les Paul Studio DC, 4 or so years ago for $525 in good condition w/a non-original hardshell case, and it's a great guitar:
Lastly, I agree with you on Schecter Diamond Series (their main line imports; Schecter also have a small USA custom shop) quality. A lot of their guitars are too blingy/superstratty for my personal tastes, though I dig their more "retro" models. In fact, I have a Tempest Special (out of production for a couple years) which is basically their Tempest body shape, but done as a flattop with P-90's, like a Gibson LP Special with a different shape:
I found this'un in VG condition, w/ohsc, locally for $250! The pickups are import Duncan Design P-90's and perfectly giggable stock. A nice feature (also found on my P-90 Agile Valkyrie "SG") is that one of the P-90's is reverse-wound/reverse-polarity, so that the middle position is hum-cancelling. Iirc Schecter still make an archtop Tempest with humbuckers.
All the above are good LP variants, depending on how broadly one defines a Les Paul. :AOK: