Weekend.
Loaded in all the rock oak for the Winter today. Charity is a real champ and drove the truck pulling the trailer. We have a LOT of beautiful hardwood for the cold weather which has not hit yet - we have been lucky. It was very warm today, sweatingly so.
Rock oak, that sounds like a great name for a hippie band or even a country band. Remember Black Oak Arkansas? I saw them live in Richmond in '72; WAY better than their album. They opened for the Edgar Winter Group with Rick Derringer - awesome act and great muscians.
Went into the music store by me with the FULL intention of buying a super great deal the salesman I know was offering me: a brand new NOS Vox
AD60VTX for 200 dollars.
They are newly an Epiphone distributer. I looked for a decent Epi SG to play thru the blue series valvetronix and grabbed a dull finished cherry trans red set neck SG. Playing with the amp models, etc., I notice a nice real low action with no buzz and the satin finish is looking better than the Gibson Faded SG that was stolen from me, a brown one. I drift through a bunch of effects and other amp models and note how light the SG is. I play some more and find myself more interested in listening to the guitar instead of the amp. I notice nice polished fret ends and fretboard edges and a beautiful dark rosewood fretboard. The pickups sound great and the satin finish has taken me in; the neck is slim and chords fall into my hands. I effortlessly play some more riffs and relax into the guitar, ignoring my surroundings. The tone controls actually work and the volume backs off into a clean sound. The satin finish on the neck feels real good. It is the style SG, teardrop pickguard, I want to compliment my high gloss trans cherry '66 Epi copy of a Gibson Standard SG.
At this point it is clear that I'm evaluating the guitar and have left the amp in my personal history. After all, the blue hybrid sounds good but I have a lot of the real amps it's showing me. 299 for the guitar. I ponder the situation and decide that this is one of those times that the guitar found me, not visa versa and that I should buy it. Without much more analyzing of the situation I decide to buy it.
I got the SG for 299 out the door, no tax, and a free set of D'darrio "tens".
After spending the afternoon weilding tons of wood I played the SG some more and am real glad I paid attention to my soul and shifted my plan off of the amp and got the guitar. Thru my Tweaker and So. Cal. cabinet it is sounding great, untweaked so far.
This stock SG faded has some real bad boy snarl on the bridge pickup and a smooth neck pickup that overdrives real well. It fits into my hand like it is meant to be there and produces some highly sought sounds.
I'm playing myself to sleep with this puppy tonight; going to jam along to some stuff out of my media center library thru my outstanding computer surround speakers with a heavy sub.
I'm really glad I stumbled upon this beautiful dull finished cherry SG. It was right on time. It fits in with my equipment plan better than the modeling amp.
Curiously, the clear vinyl pickup protectors on top of the chrome pickup covers say Alnico magnets on the bridge pickup and Ceramic 8 on the neck pickup. I doubt if this is a mistake. It is a 2010 Epi SG made in Korea. I wonder if this bad boy has a ceramic 8 pickup in the neck as the pickup protector says it does or if this is a mistake? I called Gibson and ran the serial number past them and all they said is that it is listed as having two Alnico V humbuckers. I guess I'll never know.
Irregardlessly, this SG is a real nice guitar at a very affordable price. I have been trying to focus on saving up and spending more on nicer guitars, but I like this SG better than my Gibson Faded SG that was stolen. It definitely feels better and plays better and probably sounds better, I can't remember how the Gibson sounded exactly. Plus, if I decide in the future that a pickup replacement is in order I think I will get Seymour Duncans; maybe a distortion in the bridge and a JB in the neck, or something to this effect - a hot set of great pickups. I would want to go for chrome or nickel covered ones though, so that might eliminate the distortion. I will have to research this out and maybe even get Gibson pickups, possibly like the ones on the Flying V or Explorer with the hot ceramic bridge pickup, if I can get them covered. The Gibson '57 and corresponding "plus" are also nothing to scoff at.
Anyway, still a lot of weekend ahead. I will get some SG time in and will play it thru my newly moded Blackheart Little Giant (done by Jim P with a new transformer and a VVR - variable voltage regulator). This amp head is also located right at bedside. I might plug it in now.
We still have to stack this beautiful rock oak we bought. It's just in piles now; and get some tarps and cover it. We will have a substantial area on our back portch to have some definitely dry wood stacked for immediate use. One of these days soon it is going to drop down on the fahrenheit scale and require a diligent wood burning system. This stove is VERY efficient and powerful, with more than 3 cubic feet of brick lined firebox, and air tight. There is nothing comparable to the comfort and ambience of a wood fire. Plus it saves you potentially a major amount of money around here. Just this year alone it will pay for the 900 dollar new woodstove, wood, and chimney system - straight thru the roof stainless. On top of that we will get a 30 per cent tax credit on the purchase and installation of the stove. Glad we live in the Great Northern Hardwood Forest. High quality wood in this rural area we live in is very inexpensive, way less expensive than where I was or in the Adirondack Mountains of New York. It may be the Adirondacks, but it's still a "New York State of Mind". This North Central Pennsylvania rural area is very red neck, "deliverance-ish", and a step back in time about 20 years. We like it.
REALLY liking this SG. Another example of the value of being able to roll with the flow. Now to relax . . . .