...it takes a lot more time to coordinate and sync up that many moving parts.
I think the term "herding cats" comes to mind!
...it takes a lot more time to coordinate and sync up that many moving parts.
same here with my strat coming in as a second fiddle as it were.go to is my semi Wildwood depending on the project at hand.I never count out any of the four guitars I have.Voted "Other" I keep re igniting my love for my Maton BB1200 every time I start playing it again. I think, at least for this week, semi-hollow's are really my thing.
My Suhr Standard....chambered mahogany body & neck, quilted AAAAA top (fireburst) s-s-h config. single coil silencing system, tremol-no, coil tapped HB, blower switch. I get can a strat quack and a LP roar. Wish I could afford about 6 vintage guitars, but this covers most sounds I want to get. I know Robert uses a Suhr classic sometimes. They are just fine to the last detail
Cool. When did that happen? Is that your only active band right now?A bit of a change-up for me now that I'm playing in the jazz-fusion band.
I now mostly play my Clement fretless. It's quite a treat to play all the tunes on fretless.
Cool. When did that happen? Is that your only active band right now?
Here's my guess:And what would such a "Clement" thingy look like?
Here's my guess:
![]()
Squint really hard.
Ah. So, a neck-through, P/J pups, Jazz body.
I'm guessing here.
:socool
All correct except the neck-through part.
Details are an ash body with spalted maple top, Nordstrand P/J pickups, Bartolini NMBT preamp, and Hipshot hardware.
I've probably written about this bass before. It's my go-to-my-grave-with-me bass.
Cool. When did that happen? Is that your only active band right now?
Ah, those stripes on the body fooled me.
Now, we needs to see your bass, sir!
Hey Crash...at the risk of thread veer...is that black tele with the mini a 52RI hot Rod???