wingsdad
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I posted this morning elsewhere that 'The Devil Made Me Do It' and promised to give this guitar a thread of it's own.
Yesterday, I traded an '07 Fender American Vintage Series '62 Reissue Stratocaster and an '04 Epiphone Les Paul Standard for this, an '02 G&L Comanche in pristine condition that was custom ordered by its original owner from the same store I got it at, with a vintage tweed case I believe is no longer available. He traded it in to get an American Strat of some type they had, because he didn't care for the Comanche, claiming he couldn't get it to sound 'like a Strat'. What a pity. Duh. ...:
I've only gotten to play her for about an hour or so this weekend, first thru my MicroCube, and then a short spin with the Tech21 Trademark 60 that was...breathtaking.
That last pic, above, is the wiring diagram for the Comanche or S-500 model, and here's an excerpt from a Guitar Player mag review (date unknown) that's on the G&L site that describes better than I can right now what the wiring scheme does and what makes the Comanche so remarkable.:
... A revision of the Comanche model G&L offered in the ‘80s, the new version abandons the original’s shred-era lines and forest of toggle switches, but revives the earlier model’s split pickups (an idea borrowed from the old Fender Electric XII). Aside from the split design, the Comanche pickups echo those of G&L’s ASAT – wide-aperture single-coils that are louder and fatter than Strat pickups. The Z pickups’ separated-coil configuration enhances the highs and lows, and because the two coils are wound in opposite directions, each pickup is humbucking. It’s a great recipe.
Sounds. The tones live up to the craftsmanship. They are ringy and rich, with lots of top-end airiness. At the same time, they deliver a low-end impact that far exceeds a traditional Strat’s. As on an ASAT, you get the graininess and acoustic-like complexity of a vintage Fender, but with greater power and an expanded frequency range.
Wiring tricks. Ingenious wiring enhances the Comanche’s flexibility. Along with a 5-way pickup selector, there’s also a toggle switch that lets you choose all three pickups at once, or the outside two together. Even cooler are the pair of global, passive treble and bass controls. The bass knob is especially handy for nudging the hefty Z pickups toward vintage Strat tones, and the treble control is great for dialing in smoky, jazz-approved colors. The Comanche delivers a surprisingly good faux-archtop vibe. The flexible and intuitive controls make it easy to dial in just the right shading.
The Comanche is, in short, a superbly executed super-Strat. ...
It's listed at MF and looks pretty much like mine.
G&L Comanche at Musician's Fiend
Naturally, MF's description is a tad ambiguous. The finish is NOT Honeyburst, which is deeper hued and mixes in some reddish cast. Like mine, this 'Premier' finish is called 'Honey', with the back of the swamp ash body showing its grain nicely; the tiger maple cap on the top takes the same finish a shade darker, that's all. If it mattered, and it doeesn't, I'd call MF and try to find out if the guitar they show is actually the one available, because this is an upgraded custom order version. It can be had for a lot less as a 'stock' Comanche, with an alder body, opaque (standard) finish, and without the gun-oil tinted & glossed birdseye maple neck & fingerboard. But the electronics will deliver the same ungodly chills...
If y'all will 'scuse me, I'm gonna go get stupid with her...
Yesterday, I traded an '07 Fender American Vintage Series '62 Reissue Stratocaster and an '04 Epiphone Les Paul Standard for this, an '02 G&L Comanche in pristine condition that was custom ordered by its original owner from the same store I got it at, with a vintage tweed case I believe is no longer available. He traded it in to get an American Strat of some type they had, because he didn't care for the Comanche, claiming he couldn't get it to sound 'like a Strat'. What a pity. Duh. ...:
I've only gotten to play her for about an hour or so this weekend, first thru my MicroCube, and then a short spin with the Tech21 Trademark 60 that was...breathtaking.
That last pic, above, is the wiring diagram for the Comanche or S-500 model, and here's an excerpt from a Guitar Player mag review (date unknown) that's on the G&L site that describes better than I can right now what the wiring scheme does and what makes the Comanche so remarkable.:
... A revision of the Comanche model G&L offered in the ‘80s, the new version abandons the original’s shred-era lines and forest of toggle switches, but revives the earlier model’s split pickups (an idea borrowed from the old Fender Electric XII). Aside from the split design, the Comanche pickups echo those of G&L’s ASAT – wide-aperture single-coils that are louder and fatter than Strat pickups. The Z pickups’ separated-coil configuration enhances the highs and lows, and because the two coils are wound in opposite directions, each pickup is humbucking. It’s a great recipe.
Sounds. The tones live up to the craftsmanship. They are ringy and rich, with lots of top-end airiness. At the same time, they deliver a low-end impact that far exceeds a traditional Strat’s. As on an ASAT, you get the graininess and acoustic-like complexity of a vintage Fender, but with greater power and an expanded frequency range.
Wiring tricks. Ingenious wiring enhances the Comanche’s flexibility. Along with a 5-way pickup selector, there’s also a toggle switch that lets you choose all three pickups at once, or the outside two together. Even cooler are the pair of global, passive treble and bass controls. The bass knob is especially handy for nudging the hefty Z pickups toward vintage Strat tones, and the treble control is great for dialing in smoky, jazz-approved colors. The Comanche delivers a surprisingly good faux-archtop vibe. The flexible and intuitive controls make it easy to dial in just the right shading.
The Comanche is, in short, a superbly executed super-Strat. ...
It's listed at MF and looks pretty much like mine.
G&L Comanche at Musician's Fiend
Naturally, MF's description is a tad ambiguous. The finish is NOT Honeyburst, which is deeper hued and mixes in some reddish cast. Like mine, this 'Premier' finish is called 'Honey', with the back of the swamp ash body showing its grain nicely; the tiger maple cap on the top takes the same finish a shade darker, that's all. If it mattered, and it doeesn't, I'd call MF and try to find out if the guitar they show is actually the one available, because this is an upgraded custom order version. It can be had for a lot less as a 'stock' Comanche, with an alder body, opaque (standard) finish, and without the gun-oil tinted & glossed birdseye maple neck & fingerboard. But the electronics will deliver the same ungodly chills...
If y'all will 'scuse me, I'm gonna go get stupid with her...