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Harmonizing Hammer-on Fun!

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That thing seems to track extraordinarily well. May have to bust out my EX-7 and mess with this.

I must confess that it sounded more like Boston than Metallica.
 
Thanks, Marnold. Yeah, the patch has some chorusy swirly thing there, which makes it sound more 80s rock than Metallica... oh well, don't blame, I didn't create the patch, matey! :)

Maybe I'll use it tonight at our gig. We are playing Rock You Like a Hurricane and might for the lead on that tune.
 
Thanks, Marnold. Yeah, the patch has some chorusy swirly thing there, which makes it sound more 80s rock than Metallica... oh well, don't blame, I didn't create the patch, matey! :)

Maybe I'll use it tonight at our gig. We are playing Rock You Like a Hurricane and might for the lead on that tune.
As a child of the 80s I love the m3 harmonization wherever it occurs. More of an observation than anything. If you can record you guys playing "Rock You Like a Hurricane," I'd love to hear it.
 
That thing seems to track extraordinarily well. May have to bust out my EX-7 and mess with this.

Just tried it with my EX-7. It doesn't track nearly as well. Plus the one setting is 2nd up to major 3rd up, so you have to mess with the pedal to get it to do a minor 3rd up in tune. I also noticed that besides those two pitches I was also getting an octave down. Might have to reset the pedal.
 
OK, I don't know if the settings are the same on the HD500 as they are on the M5/M9/M13, but I've been wondering about the harmonizer settings. On the M-series anyway, besides giving the interval you also need to give the key you are in. Why would the key be relevant? I suppose it would with really complicated harmony, but basically a minor third up is always a step and a half higher than the original note, regardless of the key.
 
Well with this Smart Harmony, if you play the minor scale and have it set as in my demo, it will add either a Major or Minor third as needed in order to add the correct harmony. Play E minor scale - if you play E, it adds G on top (minor third), but if you play G, it adds B on top (Major third). Makes sense? It's all part of the diatonic Aeolian mode.
 
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