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Potentiometers

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Tone2TheBone

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Ok solderers...what replacement pots have you ordered and worked on for your guitars? CTS? Fender? Gibson? My LP is in need of new pots after 20 years of fire, heat, water damage and shredding. Any of you with great tech skills have some input?
 
I prefer CTS, but I've used ALPHA's also with no problems. When I buy CTS pots, I always check them with my VOM and try to use only those that are 500k or higher for humbuckers and 250k and higher for single coils. I save the others that test under 500k for P-90 pickups (along with 300k pots), and those that test under 250k for overly bright single coils. It might be nit picking, but I've found that it does make a difference. The pots cost under $3.50ea, so it's not a great expense.
 
Bloozcat - excellent response...what was looking for. Don't companies like CTS gauge their pots to close tolerances or is it hit and miss? I wouldn't have ever considered checking them...though I might now that I've read your post. Only thing is I have to order them online. Where did you get yours?
 
tone2thebone said:
Bloozcat - excellent response...what was looking for. Don't companies like CTS gauge their pots to close tolerances or is it hit and miss? I wouldn't have ever considered checking them...though I might now that I've read your post. Only thing is I have to order them online. Where did you get yours?

The tolerences are +/- 10%...and even with that, I've had 250k pots that measured 209k (225k is -10%), and 500k pots that measured 424k (450k is -10%). Rarely (if ever) do I see any pots that are over the 10% tolerance. I'm sure if CTS were to produce their pots to a +/- 5% tolerance, they'd charge a lot more.

I get my pots from here:
http://www.internetmusicsupply.com/

They were running $3.22 ea, but I think there was a price increase recently. The site is a little quirky sometimes, and prefers that you use Netscape when ordering. They have been telling me that they're in the process of fixing the site...it couldn't come too soon. They have treated me very well with my orders though. They carry AllParts stuff at about 22% off the prices on the AllParts web site.

EDIT to note: BTW, if you're considering upgrading any wiring in your guitars where top quality components weren't used in the first place (not your LP), I buy capacitors, resistors, and other misc, electronic parts from here:
http://www.mouser.com/

I usually use Sprague Orange Drop caps, #715P-200v in various sizes (.010mf, .015mf, .022mf, .033mf, .047mf) in my single coil guitars w/250k pots, like Strats. In my humbucker equipped guitars with the 500k pots, I usually use Mallory 150's - 250v in most of the above mentioned microfared sizes. They only run about $.59 - $.79 each. You can spend a lot more on paper in oil caps, and bumble bee caps, but to me (and my pocketbook), I have a hard time hearing any audible difference in tone.
 
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Bloozcat said:
I prefer CTS, but I've used ALPHA's also with no problems. When I buy CTS pots, I always check them with my VOM and try to use only those that are 500k or higher for humbuckers and 250k and higher for single coils. I save the others that test under 500k for P-90 pickups (along with 300k pots), and those that test under 250k for overly bright single coils. It might be nit picking, but I've found that it does make a difference. The pots cost under $3.50ea, so it's not a great expense.

What do you use with 250k pots for a tone cap?
-Ray
 
tone2thebone said:
What would you have done had your friends come through that door that morning Warren?
i guess i would have had to make extra pancakes...it would be the polite thing to do!

ww
 
tone2thebone said:
Warren, Nelskie's got ya pegged pretty good. :p Chaulk one up for suthun hospitality.
absolutely....a southern man has a reputation to keep!

just be glad i didn't serve them the donuts (look ma no hands!!) :eek:

ww
 
ray82609 said:
What do you use with 250k pots for a tone cap?
-Ray

Depends on the pickups. With overwound pickups, I usually use Orange Drop 715P-200v caps in .010mf or .015mf. With '60's type winds or vintage winds I usually use .022mf or .033mf. These are the values that I've found to work best for me. You could go to .047mf or as high as .10mf if that's what you like.

The older Strats from the '50's used .10mf and .047mf (or .050mf) caps. Later on they went to the .022mf's.

So, try lower value caps for the darker pickups, and higher value caps for brighter pickups. The only one who can tell you what sounds best to you, is you...so experiment a little. I find that having the right k-ohm value pot is an equal part of the cap/pot equation as well. I'll even try 300k pots with some Strats to get the right tonal balance. They, like the 250k pots have the +/- 10% variance as well, so I'll often use pots that are running in the 265k-285k range.

Of course, this is but a part of the overall equation. There's body wood, bridge materials (especially the inertia block), the nut, action height...etc. Guitars are like a big puzzle and putting them together is half the fun (for me anyway :cool:)
 
Yup, I was thinking .022. I have 500k pots and a .047 tone cap now, but wanted to kill some of the treble. Thanks for the info!
-Ray
 
ZoSo65 said:
Hey Bloozcat, that's some great info your providing, right on the money in my book too ;)
Glad to have you around :R

Thank you. I'm happy to be here.

I've learned the same way that most everyone else has learned...by listening to others with experience and then applying that information in my own experiments.

When I think back to the days before the internet, it was like the informational dark ages. It's so great to have access to so much information and experience today. And as much fun as it is when you find the right tone formulas with your own equipment, it's just as much fun sharing it with others. It's sort of like a club that we're all members of. We all bring different talents and experiences to the club, and that's what makes the club fun.
 
Bloozcat - I want to revisit this post due to a comment you made about the values of the pots. Question....you made a comment about a pot that you measured on your VOM having a value of 209K as opposed to the rated 250K....my question is if you used the 209K pot would you notice any decrease in output or sound clarity? What about pots that register higher than 250K, say for instance one that measures 253K. Is there a noticable difference in sound quality with a higher rated potentiometer?
 
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tone2thebone said:
Bloozcat - I want to revisit this post due to a comment you made about the values of the pots. Question....you made a comment about a pot that you measured on your VOM having a value of 209K as opposed to the rated 250K....my question is if you used the 209K pot would you notice any decrease in output or sound clarity? What about pots that register higher than 250K, say for instance one that measures 253K. Is there a noticable difference in sound quality with a higher rated potentiometer?

Yes there is a difference in tone. The pots that register much lower than the stated value tend to sound muddier, and less clear. Those pots that register higher than the stated value have the opposite sound - brighter and clearer. If you've ever heard a single coil that was designed for 250k pots, played through a 500k pot, you get the idea. Very bright, sometimes even to the point of ice pick sounding. A potentiometer is just a variable resistor that is designed to bleed signal to ground. What I have noticed though, is that pots that register on the higher side of their stated value, tend to sound
better to my ear. We're talking 10%-15% higher here, not 100% as with the comparison I made between the 250k/500k pots. They sound more dynamic, with better presence. They also seem to respond to capacitor values better in the tone circuit.

A difference of just a few k-Ohms in a pot won't be noticable...like from 250k to 260k. Where I find the difference to be is when they start getting up to and over the 10% tollerance range...@ or > 275k.

Having said that, I've found that there are so many guitars out there that have pots in them that are well under the 250k reading (or 500k), that to change them to a pot that reads at or greater than the 250k makes a big difference in tone. Ex.: If your guitar presently has a volume pot in it that reads 206k (the lowest I've found), and you change it to one that reads 250k on the nose, you've increased the value by more than 17%. Now imagine replacing that pot with one that reads 275k - 10% on the high side. It would be 25% higher that the one you replaced. You just increased your pot value by one quarter.

So if the pot you currently have is reading 250k as they're listed, and you go to a pot that is reading 275k (10% high), you'll hear some difference, but it will be minimal. However, if your current pot is reading on the low side (206k-225k), and you swap it for a pot that is reading on the high side (265k-275k), the difference will be more noticable. It's all relative.

EDIT TO ADD: My most dramatic example that I have is with some custom wound Strat pickups. I asked the winder to give me a set of over-wound pickups to get a Texas Blues type sound. When I got them, they read 7.0k for the neck and middle, 8.0k for the bridge. Definitely over-wound. In the P-90 range it seemed. I installed them with some pots that read under 250k (230k-ish). I also had installed some no-name polyester caps. The pickups sounded good, but the #2 and #4 positions just didn't have much quack. So, I stuck pots in it that had the highest readings of any I had...279k for the volume, 265k for the neck tone, and 275k for the bridge tone (I moved the tone from middle to bridge). I then added a .015mf Orange Drop cap to the neck tone pot, and a .022mf Orange Drop cap to the bridge tone. After re-adjusting the pickup height, I plugged it into my amp. I immediately noticed the improvement in the #2 and #4 positions. They now sounded like a horny duck on viagra! Sweet Home Alabama never sounded so sweet. Mark Knopfler? No Problem! All the positions had a clarity and presence like nothing before. When I cranked the amp up, it was like I had stuck my finger in a light socket. The tone brought tears to my eyes. Everything from SRV tone, to Hendrix, to Richie Blackmore just oozed from the amp. I thought I had missed the sign post up ahead and had entered the Twilight Zone. I couldn't believe it was even the same guitar. And this was without any effects.

I've had less dramatic effects with humbuckers, but I will say that the same clarity and presence thing still applies there as well.
 
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Bloozcat - I agree with you. The reason I asked was because I bought some 250K pots to replace in my Yamaha bass as the pots in the bass were scratchy...even after a decent blast of contact cleaner. I replaced the pots and plugged her in and the difference was very noticable to my ears. My bright punchiness was gone. Replaced with dull output similar to what you've described exactly. I didn't measure the pots before the install. I said screw it and put the old pots back in....who cares if they're scratchy as long as I get my sound!

After pulling the new pots out I measured them remembering your original post here. One pot read 209K and the other 215K. The old pots both measured over 250K with one at 253 and the other slightly higher I can't remember exactly anymore. I got my sound back as soon as I put them in. I suppose if I want to replace them I'd need to sort through a batch of them and find the best ones. I could also try the 300K pots too ya think? At least if those were rated lower I'd still be above 250k whaddya think?
 
Yeah, I'd definitely recommend the 300k pots. I got a batch of them at home (7 of them, CTS), and they all read less than 300k. The highest was 279k and the lowest was 263k. Not good if I wanted a full 300k or better, but great for the purpose I outlined above. Trouble is, I wanted a few 300k or slightly higher for a P-90 project I have going on. Oh well, since P-90's usually sound pretty good with 250k pots, they ought to do well with 265k-279k. After all, they may be P-90's, but they don't read much higher than those single coil Strat pickups I have.
 
Blooz
Do you think for P90 equipped guitars that the 250k pots are best? 300k? 500k? Have you experimented? I'm thinking I need to put different pots in my LP with P90's because it just doesn't seem to be on the money yet. It's good but not good enough. I haven't checked the stock pots yet as to what value they are. I'm just curious what optimum might be?
 
This is really interesting information on pots. Like Tone, I am thinking of replacing the volume and tone pots in my Squire Tele Deluxe.
http://www.squierguitars.com/products/search.php?partno=0327502506

I am not sure what kind of pickups it has installed. Most likely low budget pups. The documentation just says: 2 Chrome Covered Humbucking Pickups (Neck/Bridge). The controls are also very scratchy when turned during a chord strum.

Anyway I was thinking of going to Stewart Mac to order some 500 K pots and a capacitor. I was not sure which cap to purchase. I was going to purchase a few extra values.

I have noticed when I use only my neck pickup and turn the tone control from 10 to a lower number, my volume decrease a lot. Then the tone just seems to go neutral. The bridge pickup sounds good and the tone control seems to work OK

Maybe I need to study this process a little closer before I do anything.
 
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