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I'm going to have to listen to this a bit more. Seems like they're going for the Empire vibe. Wonder if Spud heard anything about the whole Tate divorce thing.
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This is what I've wanted for a long time. Studio-recorded Townes stripped of the over-production that marks most of his catalog. This was why I typically drifted towards Live at the Old Quarter.
I was unaware of this. Thanks!
damn....so you wanna be a songwriter...
Well, I figured that I might as well give the Tate version of Queensryche a twist. It sounds substantially less Queensryche-y than the other version of the band. It sounds more modern, Seattle-y, and grungey. Whether that's a good thing or not will be a matter of taste. Some of the solos are quite cool, albeit on the short side. The mix sounds muted, like someone turned down the tone control slightly. I've read that their label's recordings have a tendency to sound like that. The first two tracks seem to be addressed at his former bandmates. The ring on the cover with "FU" on it is about as subtle as an actual punch in the face.
I kept wondering when the rawk was going to kick in. "Everything" is about the closest.
And the re-recording of "I Don't Believe In Love" . . . no . . . just . . . don't.
Last week I read an article in the local paper that a judge ruled that both groups can use the name. Seems wrong to me since the other guys started the band first and brought in Tater later.
They can both call themselves by that name until the lawsuit is settled around November.
...and after listening to both versions, the non-Tate version sounds like...Queensryche! The Tate version not so much. Once the judge gets the evidence that the fans are still with the guys and they still sound the same (if I would close my eyes, the version with Todd is unmistakably Queensryche), then Geoff will be on his own, which seems to be what he's wanted for some time.
Yeah, it could be a win, win. Geoff Tate is a recognizable name, so he can go on that. Todd sounds a lot like a younger Geoff actually.
I saw that the Todd version did "Suite Sister Mary" at the CD release party with Pamela Moore:
...and after listening to both versions, the non-Tate version sounds like...Queensryche! The Tate version not so much. Once the judge gets the evidence that the fans are still with the guys and they still sound the same (if I would close my eyes, the version with Todd is unmistakably Queensryche), then Geoff will be on his own, which seems to be what he's wanted for some time.
John Fullbright - From The Ground Up
This new, young songwriter impresses me with his lyrics and emotional, expressive music. He easily fits in the so called "Americana roots" genre, plays most of the instruments and is credited for 50% of the album's production. It might take a few listens to "get it" but worth checking out if you are into this kind of music.
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