Monkus
Well-known member
Monitors
I have a pair of these MSP3's. Got the pair for about USD 400.00 here in Trinidad. I don't think I've ever spent a better dime.
Review here
Ive heard very good reviews on the Rokit Rp-8, they sound good too!:
Review here
For eardrum killing demoing I use a pair of the active Carvin LS1523A's, but I'm usually out of the area when these go on:
Monitor placement is also quite important for the right results. "The truth is that you can get used to any speaker. But there is a LOT of work and second guessing involved when you try to work with low fidelity loudspeakers for the purpose of critical listening at the professional level. There is so much extra work and second guessing that it becomes impractical to function like that. Time requirements, consistency of results and the plain old desire for something that works without a lot of hassle is the motivation for using high fidelity loudspeakers". Quoted from Liz, a sound engineer...
Important words: critical listening.
Here's a list of decent monitors in the 300 - 600 per pair range. You'll have to check to see which are still available. Used might be the real deal.
iKey Audio M606
Wharfedale DP8.2
Fostex PM1MKII Powered Nearfield Monitor
Fostex PM04 Powered Nearfield Monitor
KRK RP8/RP8G2 Rokit Powered
Behringer B2031a
Tapco S5
Yamaha HS50M Active Studio Monitor
Alesis M1 Active 620
JBL LSR2325P Powered Studio Monitor
Tapco by Mackie PS8
Mackie MR5 Reference Monitor
Yamaha MSP5S Active Studio Monitor
Samson Resolv A5 Active Studio Monitors
Teasing the GaSMoNsTeR one fretter at a time..!!! :rotflmao:
I have a pair of these MSP3's. Got the pair for about USD 400.00 here in Trinidad. I don't think I've ever spent a better dime.
Review here
Ive heard very good reviews on the Rokit Rp-8, they sound good too!:
Review here
For eardrum killing demoing I use a pair of the active Carvin LS1523A's, but I'm usually out of the area when these go on:
Monitor placement is also quite important for the right results. "The truth is that you can get used to any speaker. But there is a LOT of work and second guessing involved when you try to work with low fidelity loudspeakers for the purpose of critical listening at the professional level. There is so much extra work and second guessing that it becomes impractical to function like that. Time requirements, consistency of results and the plain old desire for something that works without a lot of hassle is the motivation for using high fidelity loudspeakers". Quoted from Liz, a sound engineer...
Important words: critical listening.
Here's a list of decent monitors in the 300 - 600 per pair range. You'll have to check to see which are still available. Used might be the real deal.
iKey Audio M606
Wharfedale DP8.2
Fostex PM1MKII Powered Nearfield Monitor
Fostex PM04 Powered Nearfield Monitor
KRK RP8/RP8G2 Rokit Powered
Behringer B2031a
Tapco S5
Yamaha HS50M Active Studio Monitor
Alesis M1 Active 620
JBL LSR2325P Powered Studio Monitor
Tapco by Mackie PS8
Mackie MR5 Reference Monitor
Yamaha MSP5S Active Studio Monitor
Samson Resolv A5 Active Studio Monitors
Teasing the GaSMoNsTeR one fretter at a time..!!! :rotflmao: